Archive for September, 2009

Book Review: “The Indian Connection”

by K.S Sivakumaran

The Indian Connection is the title of a book by Nath Yogasundram released by Vijitha Yapa Publications running to 312 pages. What is the aim of the book? The author explains: “to trace the historical connection between India and Sri Lanka through the ages by setting out the main trends in the histories of both countries and exploring the many links between them.”

In the first place I would like to agree with the author that “ History, particularly ancient history, is dependent on the interpretation by historians of archaeological material that is often vague and fragmented These interpretations are opinions formed by the historian and are not unassailable facts ‘written in stone’. Unfortunately these opinions are often influenced by the racial and religious bias of the author.”

“The archaeological search for ethnic origins is notoriously prone to manipulation in the attempt to satisfy political expediency. Some writers have gone to great lengths to find the most tenuous arguments that challenge even the existence of a particular race (or racial origin) in a particular time and place merely to support the claims of another….”

There are 10chapters in the book: Prehistory Refinement of Civilization, A Transfer of Emphasis, Expansionism in South India, The Balance of Power in Peninsular India, Portuguese and Dutch Interludes, British Rule, A New Perspective, The Politics of Conflict and Another Dimension. Select Bibliography, Index, Maps System of Transliteration and abbreviation are bonus additions.

It’s not my intention to critically neither analyze the contents of the book nor quote substantial material of the book for elucidation. What I shall do is to show only those statements which I feel should be known to prejudiced readers from all communities in the island.

Justifiably I am selecting those passages from the book that pleases me from a Thamilian perspective. The veracity of ’truth’ in those statements have to be challenged by others

* The term Dravidian, like the word Indo-Aryan, refers to a group of languages rather than a specific ethnic group.

* Between 2000 and 1500 BC a southeasterly spread of Dravidians into peninsular India occurred and by 1500 BC there were three distinct dialect groups –proto-North. Dravidian, pronto-Central Dravidian and proto-South Dravidian. From proto-South Indian Thamil, Malayalam and Kannada were to evolve in the regions that now are Thamilnadu, Kerala and Karnataka respectively.

* The new migrants to Sri Lanka from Northern India not only brought a new language, a Prakrit, but also their religion, Brahmanism, with its caste system. From this culture a new ethnic group developed over the centuries and the Prakrit that they spoke evolved into Sinhala. By the third century BC they became converts to the teachings of the Buddha. Meanwhile, in Southern India, perhaps stimulated by the threat of being replaced by Prakrit Thamil in a rudimentary form had emerged as the dominant language by about 500 BC. It was patronized by the Pandyan kings whose kingdom was in existence at least by 300 BC as reported by Megasthenes, the Greek ambassador to the Mauryan court. Some scholars have dated the Tholkappiyam, a work in Thamil grammar, as being written around 300 BC.

* It is clear that whilst a new ethnic group was forming in Sri Lanka another ethnic group, with Thamil as its language, was evolving in southern India. It is also clear that until these two ethnic groups, one speaking Sinhala and the other Thamil, had evolved it would be incorrect to speak of either a Sinhalese or a Thamil ethnic identity.

* The earliest records referring to a unique Sinhala Sinhalese group occur in Thamil- Brahmi epigraphs in South India dated between the 2nd century BC and the 4th century AD.

* The term Ila appears and this Prakrit term, according to historic linguists, is the name applied to the dominant ethnic group in Sri Lanka at that time. Ilam was the name used in Early Thamil sources for the land in which this ethnic group lived. In Old Sinhala, at a later period the same group of people was referred to as Hela and Elu. The Sanskrit name was Simhala and in the Pali of the early Buddhist chronicles the name given was Sihala.

* Up to 500Ad, there were five recorded invasions of the Anuradhapura kingdom from South India. The Mahavamsa has labeled all these invader as being of Thamil origin but recent archaeological evidence suggests that this may not be correct.

I shall stop with those quotes. But you must read the whole book because the focus of the book is on Lanka and India relationship. The blurb clearly states: “this is a study of the close links between India and Sri Lanka from prehistoric times to the present. T is a balanced and unbiased overview providing the general reader with a lucid and readable commentary on the historic development of the connection between the two countries. His connection has undeniably moulded Sri Lanka’s economic, cultural and social evolution and is likely to continue to do so in the foreseeable future”

India watchers, China watchers, Ultra Nationalists from both ethnic groups, Sinhala Buddhists only Chinthana adherents, Separatists and others should read this book and form their opinion and judgment.

Readers might like to know who the author is. The blurb at the back of the cover adds: The author, who was born in Sri Lanka and educated at St.Thomas’College, Mt. Lavinia and the University of Ceylon, is a retired surgeon who now lives in the United Kingdom. He is the author of A Comprehensive History of Sri Lanka from Prehistory to Tsunami.”

It is high time that we think in universal terms because waddling in racial animosities is not going to take us anywhere and may even cause doom to all communities because the worlds all around is looking at us from their own perspectives.

Hopefully realization seems to dawn slowly but with firmness as the powers that be are thinking differently. I wish all success.

ks.sivakumaran@yahoo.com

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Udappu, Sri Lanka: Gala of the guard deities in pictures

by Dushiyanthini Kanagasabapathipillai

“Whatever I am offered in devotion with a pure heart-a leaf, a flower, fruit or water- I accept with joy” ~Bhagavath Gita

As the Sun began to spread its rays towards Udappu, people of this small hamlet began to bustle, devotees thronged the temple. The roosters were still crowing while mild breeze blows, trees dance for the mild breeze. It was 4th of August 2009-Tuesday, a day before the fire walking. Certain rituals take place on this day.

A special pooja is performed at the Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam to invoke blessings from the Lord Veerapaththirar to have the fire walking ceremony without any interruptions. The special pooja is called “Veerapaththirara Pooja”, which takes at the crack of dawn, before the Sun rises. At the same time, men begin to make the four guard deities around the fire pit.

Watery sand is used to make the guard deities. The East end is guarded is Lord Veerapaththirar, the West end is guarded by Lord Iyanaar, the North end is guarded by Goddess Kaali, and South end is guarded by Lord Vairavar. Four devoted were selected by a lot to be the guarding deities of the fire pit.

Once the special pooja is over, beautifully decorated Lord Veerapaththirar is taken on a procession y the male devotees and the idol is placed in front of the Kodi Thambam of the temple till the end of the festival. Then the devotees rush an gather at the Sri Maha Muththumaariyamman temple in Aandimunai which is afew kilometers away from Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam to witness another event. The event is named as “Akkini Kunda Kaaval” (guarding the fire pit).

The selected four men are taken on a procession from Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam to Sri Maha Muththumaariyamman temple in Aandimunai. They are given a well water bath, and the water is not supposed to be wiped. These four men get into trance as the first bucket of water is poured on their bodies. The devotees continuously chant the holy words such as “Arohara”, “Amma” “Thaye”, “Govintha” and “Naarayana”.

They are purified with Sandalwood, Holy Ash and Vermilion by the fellow men from the village. Fresh flower garlands decorate their necks, wrists and angles. They are brought to the Sri Maha Muththumaariyamman temple in Aandimunai, where each of them is given with a decorated wooden stick. The wooden sticks are known as “Kambu”. The fellow men encourage these four guarding deities to dance to the tune of the drums.

“Aadu”, “Aadu” – dance, dance the words kept flowing from the fellow men, and the four guarding deities keep dancing along the way from Sri Maha Muththumaariyamman temple in Aandimunai to Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam. They visit the small road side shrines on the way while dancing and bearing the scorching Sun.

Once they reach the compound and take their respective places as their guarding points in front of the Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam, the Chief priest of the Sri Veerapaththirakaali Amman temple Muththiah Paranthaaman whips the four guarding deities, and they faint, and carried by the fellow men to the backyard of the temple.

“I am an ardent devotee of the Goddess. I began to worship her when I was five year old child, and I have surrendered myself to her. She has helped me to overcome many difficulties in my life including a life threatening trouble. I will be humbly serving her for the rest of my life” said Kathirkaama Muthiah Rajendran who got into a full trance.

The four devoted men who depicted as the guarding deities are:

Lord Veerapaththirar- Chandran Ingaramoorthy
Lord Iyanaar-Maariyappa Vishnukumaran
Goddess Kaali-Kathirkaama Muthiah Rajendran
Lord Vairavar- Navaneethamoorthy Muththuvairan

Sunrises in Udappu

Fresh bunch of Banana at the main entrance

An early morning scene in Udappu

A special pooja for is being performed to invoke blessing from Lord Veerapththirar

A dedicated child devotee

Various musical instruments being rendered

Lord Veerapaththirar is kept in from of the sanctum

Lemon rice is being served to devotees

Curd rice is being served to devotees

Lord Veerapaththirar is being taken on a parade

On the way to Udappu

A view of the Peace Kopuram of the Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam

Kids playing around a tree at day break

Making the guard deities in sand is in progress

Lord Veerapaththirar is placed in front of the Kodi Thambam

A kid stops and watches the men making the guard deities in sand

Nallavairan Sellamurugan takes part in the rituals annually

Veerapaththirar Madai

Crows in the vicinity

Iyanaar Madai

Checking on the wellbeing

Kaali Madai

Udappu has produced many craftsmen

Vairavar Madai

An overview of the four guarding deities

The villagers consider that Lord Veerapaththirar is one of the most powerful guarding deities

Four guarding deities take part in pooja

Kids taking their positions

Drummers at the site

Traditional musical instruments are being played during the procession of the deity-Lord Veerapaththirar

The main entrance of Sri Maha Muththumaary Amman temple in Aandimunai

Four guarding deities are being accompanied

Four Kambu are kept in front of Sri Maha Muththumaary Amman temple

Mild breeze in Aandimunai

Kathirkaama Muthiah Rajendran gets into a trance as he enters the temple compound

Cadjan alley in Aandimunai

“Thirisoolam” or Trident in the temple

Well water bath for the four guarding deities

Visitors for the festival

Hinduism is the world’s third largest religion, after Christianity and Islam. It has 900 million followers worldwide. This is 13% of the world’s population

Guarding deities are being decorated

Hindu shrine where prayers are said and offerings are made

Eternal devotion towards the Goddess

It’s believed that Hinduism is the oldest living religion

Getting ready for the rituals

“Kaappu Kattal”- it means tying a holy thread on the wrist of the four male devotees. It is meant to ward off all evil spirits, which symbolises protection.

The four guarding deities are involved in prayers

Most Hindus believe that the spirit or soul, the true “Self” of every person is called Ātman, which is eternal

Hindu scriptures are the most ancient religious texts

Bhakthi or devotion signifies an active involvement by the devotee in divine worship. A male devotee in this spiritual path is called “Bhakthan”, and the female devotee is called “Bhakthai”

Fresh flower anklets for the guarding deities

The four guarding deities begin to dance

The word “Bhakthi” is derived from “Bhaj”, which means “to share”, “to belong to” and “to worship”

They keep on dancing

As the Sun reached the top and the sand became hotter, the deities kept their barefeet straight

Guarding deity Vairavar at Sri Maha Muththumaary Amman temple

Dancing along the way

Another musical instrument used at the temple

Hindu practices generally involve seeking awareness and blessings from God and Goddesses

Colourful carvings at Sri Maha Muththumaary Amman temple

There is nothing superior than worshiping God in pure devotion

More importance is given to the symbols in Hinduism

Many devotees accompanying the guarding deities

Hindus believe the soul moves from one body to another

Hinduism is an ocean of nectar

Deities dance around the fire pit

Deities dance around the fire pit

Hindus believe in birth, death and rebirth

Whip on the wrist

A statue of Bodhiraj is kept on the left hand side of the sanctum of Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam

Deities being carried away from the site

A statue of Prithviraj is kept on the right hand side of the sanctum of Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam

When the soul comes out of the cycle of impurities, the result is eternal bliss

The God is worshiped in multiple perspectives

Whip is worn around he neck of the priest

Divine vehicle of Lord Vinayagar-Mouse is parked in the temple compound

Udukku is being played

Beautiful sculptures have architectural elements and decorative details

Idol worship is a simple way of expressing faith and devotion to God

Sounds of Udappu:

Bell tolls on Aug 4

Drums Aug 4

Udappu priest ~ Aug 4

Udappu Rituals ~ Aug 4

P. Susheela on PA !~ Guruvayoor song ~ Hear the winds at Udappu shore

Bell on Aug 5

Udappu Fire Pit ~ Hear the fire, wind & devotees

Udappu – Thevaram Aug 5

Udappu Thavil ~ Aug 5

Related Pictorials on Udappu:

- “Paandavar Oorvalam”:

The scene of five Paandava Princes and their common wife Thiraupathai going into exile with Vyasa Munivar and an Anuman was depicted in drama form by the people of Udappu on 2nd of August 2009, the 15th day of the “Aadi Vizha Mahotsavam” of Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam.

- behind the scene: Getting ready for the colourful Udappu parade:

It was a Sunny Sunday, August 2nd 2009, in Udappu.

As time ticked on turning into a scroching hot day, performers and the make-up artists began to make their way to Sri Veerapaththirakaali Amman temple, situated right near the ocean.

Eleven Performing artists and four make-up artists gathered under one roof, to get ready for the elegant parade.

- Fire walking Festival:

Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam, Udappu

- Tradition bound Udappu, the charm of a Tamil village

“Udappu” is situated between the Dutch Canal in the East, Indian Ocean in the West, Poonaipitty village in the North and Pinkatti village in the South.
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HumanityAshore.org ~ Email: dushi.pillai@gmail.com

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The charm of a Tamil village

Tradition bound Udappu

by Dushiyanthini Kanagasabapathipillai

“Udappu” is situated between the Dutch Canal in the East, Indian Ocean in the West, Poonaipitty village in the North and Pinkatti village in the South. According to some reports, that there was a flood in this area earlier, and it was called “Udaippu” afterwards. Another report says that people were looking for pure water and sea side, while searching for such place they found “Udaippankarai”. Later, the name derived from “Udaippu” to “Udaippankarai” to “Udappu”, which is currently being called.

This is a traditional Tamil fishing hamlet, which is situated 150kilometers away from Sri Lanka’s commercial capital Colombo. A sandy stretch road which is about six kilometers off the Colombo to Puttlam main highway takes to Udappu. It is located on a tip of rectangular shape land between Mundal lake and the sea. Udappu’s current population is 15,000. It’s is believed that their ancestors came from Akka Madam and Thangachchi Madam in Rameshwaram in Southern India in 1630, and settled down in Udappu. This small fishing village has a very strong tradition and custom, which is being followed very strictly by the people of Udappu upto now. The fishing folk of this pristine coastal village has a different custom compared to the other fisher folk in the country. They still follow the same tradition which is being followed in Rameshwaram for weddings, funerals and temple festivals. Drama and theatre and folk songs play a major role while observing these traditions. The vibrant tradition keeps the families close to each other.

[Drawings of the seven boats. The drawings are placed on the wall of the Sri Veerapaththirakaali Amman temple]

It is said that due to some ethnic tension in 16th Century, 18 families from Udappu went to Aanai Vaasal and Karaiyaar Kudiyiruppu in Katpitty in 7 fishing boats. The portraits of these 7 fishing boats are drawn on the wall of Sri Veerapththirakaali Amman temple in Udappu. The fishing boats are identified as “Sinnadappan Thoni”, “Sinna Thoni, “Mugaanthiram Thoni”,“Kappanaa Thoni”, “Vaavaa Thoni”,and “Poththi Thoni”. And those 18 families are known as “Ampalakaaran”, “Sinnadappanpuram”, “Kathiran Sammaattipuram”, “Sinnaiyanpuram”, “Kaamapuram”, “Aavaththaaarpuram”, “Pachchaiyappanpuram”, “Seruvanththaarpuram”, “Moosaapuram”, “Paasamandaadi Kudumbam”, “Muththupillaipuram”, “Palliyar Kudumbam”, “Sittampuram”, “Sinnaandipuram”, “Kottaavaariyaar Kudumbam, and “Moovar Kudumbam”.

[calm and quiet place]

Most of them are fishermen, some do farming or small business such as owning a grocery shop or tailor shop or a telephone booth or an eating house. And some are vegetable sellers or meat sellers. The people of Udappu read and recite the Mahabharatham epic in Tamil. The “Aadi Vizha Mahotsavam” of the Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthaanam is based on the popular epic Mahabharatham, which lasts for 18 days. Dance and drama are performed during these days to attract the devotees and make them understand the epic better. The whole village comes alive during the festival. Udappu is usually known as a very calm and quiet place.

People of Udappu are very entertaining and hospitable. The first invitation that they always extend to a visitor is “Come to our house and have meals”. Then the conversation follows with several other invitations such as “Come and stay with us in our house”, “Please feel free to ask anything that you need”, “We have made these special curries for you, because you are a pure vegetarian”, “Please let us know when will you be here next time, so that we can make your stay comfortable”, “Take some fresh drum sticks and fresh Jasmine flowers with you when you return to your house in Colombo”. They do not show any difference between a visitor and a stranger, they treat both equally. It is a beauty of the people in Udappu that, the invitation is always extended wholeheartedly.

The men in Udappu say that “They have “Murattu Bhakthi” (pitiless or rough devotion) towards the Goddess”. They say that they are willing to go through any pain in order to fulfill her (Goddess’s) wishes. They gather in groups to carry out the rituals. Most of the men are fisher folks. They are known for their hard work and dedication. Women of Udappu are very passive and soft-spoken. Men and women of Udappu are very spiritual, and they observe the knit tradition very carefully. The people of Udappu are very proud of their more than 350 years old unique and elegant tradition. The people of Udappu insist that they neither belong to the North and East of Sri Lanka nor to the hill country. They always say that, they are different from the rest of the Tamil community in the country. They mostly worship Sri Thiraupathai Amman, Sri Kaali Amman and Sri Maari Amman. These three Goddesses are considered to be the Kula Theivam (Family Guardian Deities) of Udappu. A strict vegetarian regimen is observed during the time of the temple festival.

If a man marries outside Udappu, he will be detached from the family and community, and his mustache will be shaven completely to humiliate him. The custom is called “Meesai Kattal”. As a result hardly any men marry outside his village, and the entire population believes that they need to maintain the speciality. Men folks respect the women folks. The men extend their extra care and support to the women during the festival time, because they feel that men from outside visit Udappu during the festival, and the unique culture needs to maintained and protected, and there should not be any room left for misbehaviors and misconducts.

[Multi-ethnic market in Udappu]

There are 30 Muslim families currently living in Udappu. Sinhala traders from Aaraachchikattu, Aaandigama and Vijayakattupeththa come daily to the main market in Udappu to sell vegetables. They come very early in the morning in a lorry and return to their respective villages after the business. The primary vocation of Udappu was tobacco cultivation, the tobacco plants were affected due to some disease. Thereafter, the people of Udappu began to concentrate on prawn hatchery. There is a couple of medical doctors and engineers produced from Udappu.

[a busy alley in Udappu]

A couple of visitors from Jaffna shared their experiences while being in Udappu this year. Most of them said that, “We feel like Udappu is their second home next to Jaffna. And, we like to retire in Udappu”. It gives the similar feeling of being in Jaffna, surrounded by coconut and palmyrah trees, mild breeze with the sweet sound of the palm leaves, even though it is hot. The fences for the houses are woven neatly with either coconut or palmyrah leaves. The houses hardly have brick or cement walls. Most of the houses are shady and cool.

The people of Udappu like to remain different, while some of the young men left the village to seek employments in foreign countries. Some of them come annually during the festival time to take part in fire walking. This is when most of the match making takes place in Udappu!

Time for celebration and joy.

Related Pictorials on Udappu:

- “Paandavar Oorvalam”:

The scene of five Paandava Princes and their common wife Thiraupathai going into exile with Vyasa Munivar and an Anuman was depicted in drama form by the people of Udappu on 2nd of August 2009, the 15th day of the “Aadi Vizha Mahotsavam” of Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam.

- behind the scene: Getting ready for the colourful Udappu parade:

It was a Sunny Sunday, August 2nd 2009, in Udappu.

As time ticked on turning into a scroching hot day, performers and the make-up artists began to make their way to Sri Veerapaththirakaali Amman temple, situated right near the ocean.

Eleven Performing artists and four make-up artists gathered under one roof, to get ready for the elegant parade.

- Fire walking Festival:

Rukmani Sathyapama Sametha Sri Paarthasaarathy Thiraupathathevi Devasthanam, Udappu, Sri Lanka
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courtesy: HumanityAshore.org ~ Email:dushi.pillai@gmail.com

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